Nihad Dabeet’s Healer (2011), iron wire. Photo courtesy Avital Moses

Sculptor Nihad Dabeet keeps a studio in Ramle, where he spent most of his childhood before being accepted, as a young teen, to the prestigious Thelma Yellin School of the Arts, and subsequently moving to Bulgaria, with a scholarship to study sculpture at the National Academy of Arts in Sofia. Dabeet has remained devoted to his work through easy times as well as rough ones, always staying circumspect. His work plays a crucial role in all this; for an artist, he says, “it’s very easy to go from bad place to good place. It’s more difficult to go from good place to bad place.”

Dabeet’s fascinating forms are hybrids of figuration and abstraction, the hand-wrought and the organic.

Over the years, Dabeet has experimented with various media, including discarded building materials (“rubbish” is his technical term for it), eventually honing a distinctive style of working with thick strands of wire, which he describes as “weaving.” The fascinating forms he renders seem to be hybrids of figuration and abstraction, the hand-wrought and the organic. For the Korin Maman Museum in Ashdod he created a extraordinary life-size sculpture of a horse for a show called Horses and Bulls. Though made of steel wires, it looks almost like a magnificent armature made of fine bentwood twigs.      

For Dabeet, beauty is only a beginning in art: it is “the first link,” he says. “But you must also have persuasion.” He says he believes in finding what is good and useful in even the most trying circumstances. 

Thelma Yellin School of the Arts >

Korin Maman Museum
16 Hashayatim Street, Ashdod