Viewing entries tagged
Cooperation

Cover of Grandmother Days: A Taste of Bedouin Life, produced in Lakia.

In the Bedouin town of Lakia, in the upper Negev, is an extraordinarily forward-thinking enterprise that was conceived, initiated, and is today run by Bedouin women. The Desert Embroidery project, under the auspices of Lakia’s Association for the Improvement of Women’s Status, brings together unique time-honored skills and a much-needed source of income for the Bedouin community. Their products—vividly colored embroidered clothing, bags, and other goods—are irresistibly beautiful.

These skills were not being learned by the younger girls. If we didn’t do something to preserve the skills, they would be lost.
— Hessin Elsana

The project began with fifteen women and has trained over 160 to date, expanding into neighboring Bedouin communities. The operations are simple but groundbreaking for this community: a core of women is responsible for design and development, obtaining embroidery materials, worker training, and marketing; and another group looks out for quality control of the finished goods. As of this writing, some sixty women in and around Lakia are working from their homes doing hand embroidery. They visit the center twice a week to collect materials, drop off finished items, learn new designs, and attend workshops and lectures. Each woman chooses how much she can work and is paid according to the amount she produces.

Hessin Elsana, one of the Desert Embroidery project’s founders, acknowledges it is difficult for outsiders to imagine the isolation that is possible in such a culture. In the Bedouin culture, she says, “the woman is the center of the household. She’s supposed to help with the education and raising of the children.” But among traditional Bedouins, embroidery is a respected and accepted activity for women, even in the most conservative of households. Furthermore, as Lakia grew, new infrastructures and amenities, such as running water, were changing the pace of the day: if women didn’t have to spend time fetching water from a distant well, how else might that time be productively spent? And now there were new costs such as mortgages to be paid. “The women wanted to do something to contribute that they felt comfortable with, an activity that was suitable for them, that they already knew something about, and that they could do something with,” explains Hessin. “Also, these skills were not being learned by the younger girls. If we didn’t do something to preserve the skills, they would be lost.”

Desert Embroidery > 

 

The Lakia Desert Embroidery Project, Run by Enterprising Bedouin Women

Itzhak Perlman conducts "Can Can" and Haydn's Toy Symphony with the Perlman Music Program Orchestra and 40 young Israeli String Players at the Israel Conservatory Tel Aviv. Photo courtesy The Perlman Music Program

“Peace through Music,” says a popular bumper sticker. Well, who knows—it certainly can’t hurt. Music is of course an art of collaboration: an art that requires, above all, the ability to listen deeply and to respond with empathy and sensitivity, with the goal of achieving an end product filled with positive meaning: a viable formula for any kind of cooperation. A number of groups have been formed specifically with a view to bringing musicians together from diverse backgrounds in cultures at serious odds with one another. Among them are the West-Eastern Divan Orchestra (under the baton of maestro Daniel Barenboim) and Heartbeat: The Israeli-Palestinian Youth Music Movement. The Jewish-Arab Youth Orchestra is a project of the Jerusalem Foundation, under the auspices of the Louis and Tillie Alpert Youth Music Center. And Polyphony, headquartered in Nazareth, is another common ground for Arab and Jewish classical musicians. 

Music is an art of collaboration: an art that requires, above all, the ability to listen deeply and to respond with empathy and sensitivity.

Things are opening up in Israel among artists: people are listening closely to one another. When Michael Tilson Thomas conducted the Israel Philharmonic Orchestra in recent years, he said that he was excited to encounter so many new young musicians in the orchestra. Their performance of Brahms’s Symphony No. 2 was fluid and powerful, the musicians sharply attuned to their conductor. The mutual respect was obvious, and thrilling for the audience to see and hear.

Adding to the artistic culture of Israel is the venerable Perlman Music Program—a U.S.-based mentoring project for talented young classical musicians, under the direction of violinist Itzhak Perlman. Since 2014 the PMP has been hosting residencies and offering master classes in Tel Aviv for talented young musicians.

Heartbeat: The Israeli-Palestinian Youth Music Movement >

Israel Philharmonic Orchestra >

Louis and Tillie Alpert Youth Music Center >

Perlman Music Program >

Polyphony >

West-Eastern Divan >

 

Peace through Music